work

  • sun-opener (2019) – for alto flute, guitar, viola (commissioned by the Phoenix Trio), 13′
  • dark colours (2019) – for wind quintet (for Arcadia Winds), 9′

Commissioned for the Melbourne Recital Centre/University of Melbourne with the support of Majilis Pty Ltd.

  • endings, (anti)ending (2018) – for mixed quartet (commissioned by Kupka’s Piano), 11′
  • species (2018) – for mixed quintet (for Rubik’s Collective), 20′

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

  • archive (2018) – for re-tuned baroque violin (commissioned by Elizabeth Welsh), 18′
  • fading lines (2017)  – for solo piano (commissioned by Alex Raineri), 12′
  • dead oceans (2017) – for string quartet (dead oceans is a 2016 Bendigo International Festival of Exploratory Music box office commission), 16′
  • species – tombeau (2017) – for recorder and uilleann pipes (commissioned by Ryan Williams and Matthew Horsley), 8′
  • creature (2017) – for solo recorder (for Ryan Williams), 8′
  • doom alone (2016) – for tenor recorder and electric guitar (commissioned by Ryan Williams and Stuart Fisher), 10′
  • ghosts and voices (2016) – for solo alto flute (commissioned by Jodie Rottle), 14′
  • mutant frames of reference (2016) – for solo re-tuned guitar (commissioned by the University of Melbourne), 5′
  • interior cities (2015) – for orchestra (commissioned by the CYBEC foundation for the MSO), 9′
  • threaded through meridians (2015) – for flute, bass clarinet, percussion, piano, violin, cello (for Ensemble Offspring), 11′
  • no walls (2015) – for bass flute, two violins, viola, cello, double bass (commissioned by the Arts Centre Melbourne for 5x5x5), 5’30”
  • long shadows cast (2015) – for 2 amplified pianos and 2 percussion (commissioned by the Soundstream Collective), 13’
  • mutant frames of reference (2014) – for flute, viola, harp (for Petrichor), 5’
  • estuaries (2014) – for orchestra (for the Melbourne Symphony Orchestra), 6’
  • things are become new (2014) – for flute, bass clarinet, percussion, piano, violin, cello (for the Soundstream Collective), 12’
  • calm is made of resignation (2014) – for small orchestra (for the AYO National Music Camp), 8’
  • between shapes luminous and vague (2013) – for viola and piano (for Xina Hawkins and Jacob Abela), 16’
  • bleed-through (2013) – for solo guitar and laptop (for Callum Henshaw), 8’30”
  • different and the same (2013) – for solo flute (for Lina Andonovska)