dark colours (2019) – for wind quintet
https://soundescapes.melbournerecital.com.au/explore/10th-anniversary-commissions-samuel-smith
endings, (anti)ending (2018) – for mixed quartet
fading lines (2017) – for solo piano
http://www.musictrust.com.au/loudmouth/inventions/
dead oceans (2017) – for string quartet
http://www.realtime.org.au/bifem-2017-resolute-adventurers/
BIFEM: Argonaut String Quartet, Dead Oceans
interior cities (2015/16) – for orchestra
https://oconnellthemusic.com/2016/02/12/a-mixed-quartet-of-cities/
things are become new (2015) – for mixed sextet
http://www.abc.net.au/classic/content/2014/12/19/4151267.htm?site=(none)
https://partialdurations.com/2015/12/17/rubiks-things-are-become-new/
http://www.cutcommonmag.com/things-are-becoming-new-with-kupkas-piano/
http://www.cutcommonmag.com/young-artists-join-forces-in-qsocurrent-festival/
elsewhere; everywhere (2015) – for seven antiphonal violas
https://partialdurations.com/2015/10/22/alexina-hawkins-spectrum/
threaded through meridians (2015) – for mixed sextet
http://www.abc.net.au/classic/content/2015/10/29/4341433.htm
http://www.smh.com.au/entertainment/music/ensemble-offspring-future-retro-20151027-gkjdv6
long shadows cast (2015) – for two pianos + two percussion
bleed through (2013) – for guitar and laptop
http://www.limelightmagazine.com.au/content/echo-return
https://finemusicfm.wordpress.com/2016/08/28/cd-reviews-august-part-3/